Category Archives: tv

Catalans, that Polònia joke wasn’t funny or clever

If there was one way pro-independence Catalans could bring discredit on themselves, it was to stoop to the level of their opponents. For years, independentists have had to put up with regular accusations of being selfish, greedy, insane, stupid, terrorists, ETA, 18th century throwbacks, fascists, Nazis, Hitler.

So when last week’s ‘Polònia’ on TV3 ran a sketch comparing Mariano Rajoy to Hitler in the famous bunker scene from Downfall, I turned to Gemma and said “That’s not good”. Since then, the PP has threatened legal action and my fellow independentists have gone into overdrive defending the sketch and mocking the Spanish right’s “sense of humor failure”. Here’s why they’re wrong.

The Meme – not great comedy

The sketch was yet another version of a meme based on 2004’s German film, Downfall. It’s a great film and in context, a powerful scene. Hitler berates his generals for their failures, all the while refusing to accept the truth: that it’s all over. That the noise and the rumbling all around them is Soviet artillery already in Berlin.

The meme is first recorded in 2006, with Hitler re-dubbed in German complaining about Microsoft writing off its popular Flight Simulator game. Since then, around a thousand more parodies have been made, generally dubbing the original footage but sometimes simply imitating it.

I’ve written poorly about comedy here in the past. I watch a lot of comedy, read about comedy, listen to podcasts about comedy, read comedy scripts, think about comedy: it’s something I love and an important part of my life. And in my opinion, the Hitler Bunker Meme got pretty tired pretty quickly. Around about the time that guy used it to complain about Microsoft Flight Simulator. A thousand versions later and it’s one of the worst jokes I can think of. Dull, trite, derivative, unimaginative, OLD. Let’s face it: if you’re writing comedy in 2014 and you think the Bunker meme is right for this week’s main sketch, you need to catch up. That joke is 8 years old (and wasn’t that funny at the time).

Polònia’s Downfall

Which brings me onto Polònia itself. Since 2006 (yeah), it has been one of the best comedy shows on Spanish TV. It brought a kind of satirical irreverence which people across Catalonia (and Spain – Dan Hancox records in Ghosts of Spain that anarchists in Andalusia enjoy watching it) just drank up. Its treatment of the royal family and the main political actors in Spain and Catalonia became legendary and made it the most popular show of the week on Catalan TV. I adored some of its musical numbers, including Imagine reimagined by Artur Mas and Oriol Pujol in 2012.

But shortly after that sketch aired, something happened to Polònia. In a fairly short time frame, the show suddenly started to poke far less fun at Artur Mas, previously mocked for his vanity and his upper-class attitudes. It started to treat him with reverence, which I found pretty unpleasant. Since then, Toni Soler’s show has continued to go downhill. If I catch it, I’ll still watch. But I get few laughs out of it now. Basically only if the princess is on it.

You can be sure that the writers at Polònia wouldn’t never even consider using the Bunker meme to joke about Artur Mas, even if he were in the middle of a deep crisis. It would undo the work of the last 2 years.

Banal and self-defeating

Besides which, it was ideologically foolish. Much has been made in Catalonia of the ‘banalization of Nazism/fascism’ on the part of the PP and Ciutadans. And quite right, too. Unwilling to debate the political issues surrounding potential independence for Catalonia, both parties (now representing a combined 10% of the Catalan vote, according to recent polls) have used the most atrocious rhetoric to criticize the process. They’ve almost certainly encouraged some fence-sitters to join the pro-independence side, sick of the insults and the dismissive attitude.

And now they’ve thrown all that goodwill away.

As for the independentists who have howled like banshees over the last week, complaining that the PP lacks a sense of humor, or the intelligence to understand a joke… they should take a deep breath, read their words back and see whether they can detect any discrepancies in their attitudes. The joke wasn’t remotely funny by any real comedic standards. And calling Rajoy Hitler in the Bunker is not the way we’re going to win the argument.

I won’t be watching tonight’s Polònia. El Gran Wyoming, however, always has a place at my table.

My unifying theory of comedy

Comedy is probably my most dominating vice, more alluring to me than women or wine. And, much as I’ve studied the finer qualities of those other two, I feel – well, it’s sort of an obligation – I need to watch and to criticise and assess and ponder comedy every single day.

I once went to see Russ Abbot in London. I suppose that he, the Two Ronnies and Blackadder had a fundamental influence on what I find to be funny. Later, the Fast Show and Alan Partridge ruled my jokesphere. But it was in the discovery of late-night reruns of the Larry Sanders Show and Seinfeld that my comedy addiction finally found a home.

And Seinfeld led me to Curb Your Enthusiasm, naturally. That these two shows, born of the genius of Brooklyn-raised Larry David, are among the most celebrated TV shows ever is no surprise to me. I’ve always loved the New York fast-talkin’, wise-ass schtick that Woody Allen used in Annie Hall. But Curb taught me something else: the secret of great comedy.

And this is my theory.

Essentially, great comedy is made through a counterpoint of your lies and the lies of those you interact with. Pathos is important, at times, but the key is the manipulation of people and their manipulation of you. In other words, society and life are the comedy.

Now, I’m aware that this sort of thinking is pretty facile. I don’t claim this as ‘original thought’. But I’ve come to it all on my own, and now I feel the world needs to share it with me.

Oh, and Curb Your Enthusiasm Season 5 Episode 10 is the finest piece of comedy I’ve ever seen. It’s perfect. It deals with identity, mortality, selfishness and selflessness in a way that no movie ever could. Also the time-travel episode in the new Futurama season is pretty good. Pretty. Pretty. Pretty Good.

Some TV shows we’ve been watching

I’m a big fan of TV as a cultural medium. A well made TV series can often be much more detailed and consuming than any movie. Seinfeld’s plot arcs are famous, but so – I reckon – should be the BBC’s excellent TV adaptation of Pride and Prejudice (a TV show which has rendered all films of that novel, prior and subsequent, rubbish). Here are some of the shows we’ve been watching recently.

Arrested Development

The first time I watched this show, I couldn’t get into it. We watched the pilot, and perhaps I was in a bad mood or something, but it just didn’t take. This year, we tried again. And I’m so glad we did. Arrested Development is one of the best comedies I’ve ever had the pleasure to see. The cast is perfect and the scripts are wonderful. The Bluth family, backbiting and conspiring against each other, is a jewel of TV comedy setups. That Fox cancelled Arrested Development is yet another tragedy in that network’s history. That the writers found numerous ways of mentioning this in season 3 only confirms their wit. Gemma and I will forever have GOB’s chicken dance as a happy, surreal touchstone of great comedy.

Mad Men

Perhaps controversial in content, I grew to love this portrait of advertising executives on Madison Avenue in the 1960s. Yes, it has product placement, is broadly capitalist in its outlook, and sometimes seems to go out of its way to celebrate ‘the good old days’ of chauvinistic extravagance. But Mad Men isn’t uncritical. The pompous, fatuous alcoholism of its title characters is loathsome, and the program makes this clear. What’s more, Mad Men is shot better than any TV show I’ve ever seen. Both because of its perfect direction and immaculate production values, Mad Men is a must see.

It’s Always Sunny In Philadelphia

This program was described by someone on Popbitch as being a bit like Friends, only where all the characters hate one another and plot against each other constantly. The backbiting (yes, I like that) and unscrupulous behaviour of the characters always leads to their inevitable downfall, often at the hands of an array of recurring enemies.

Dexter

Dexter is a TV show which received widespread praise among critics and friends alike. However, it’s not actually a very good show at all. The writing team aimed at a serious plot arc, but the episodes themselves are bogged down in character development of the dullest, most pedestrian kind. The acting is often quite terrible, and this goes for the lead as well as almost all of the supporting characters. The main problem is the lead character: he’s a sociopath with whom we’re supposed to somehow bond. I found Ted Bundy in the eponymous movie somehow less hateful than the lead character Dexter. At least Bundy was completely insane. I know that the writers are offering us a challenge: accepting a serial killer as a hero. But, because of the writing and the acting, it never quite works. Which makes it bad.

Treme

From the creator of The Wire and Generation Kill, Treme is a story of music and rebirth in post-Katrina New Orleans. Tracing various characters as they attempt to rebuild their lives in the near-ruined city, Treme has as its focus the city’s jazz scene, second line bands and Mardi Gras Chief parades. The writing is excellent, the cast formidable (along with some familiar faces from the Wire, John Goodman and others lend real gravitas to Treme), and the story is uplifting and heartbreaking. But it is the music that makes Treme a practically perfect TV show. From John Boutté’s theme song to the Rebirth Band’s second line tunes (and this is just in the first few minutes of episode 1), Treme is infused with New Orleans music from beginning to end. Celebratory, mournful and tragic in turn, Treme is probably the best TV show I’ve seen since The Wire. It might even be better. Season 2 is on the way. If you watch one TV show this year, make it Treme.

TVE censors crowd disapproval of Spanish national anthem at Copa del Rei final

[youtube]http://www.youtube.com/watch?v=nTJRhiOaNLk[/youtube]

When the Spanish national anthem was played on Wednesday night, it was met with whistling, klaxons and a lot of other noise from the predominantly Catalan and Basque supporters present. TV España switched to its outside broadcasting units in Barcelona and Bilbao in an apparent attempt to hide this, and then played coverage of the anthem being played, with edited sound. The sport director of TVE has been sacked for this ‘human error’ which actually looks a lot more like the Spanish national broadcaster trying to hide a potentially embarrassing truth.

More coverage at Cataloniablog.